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Daring to dance our life
Monique Giard and Celeste Snowber
University of British Columbia & Simon Fraser University
Why
is it that broken shells have such a beauty to them
random placement in the sand?
Broken hearts do not carry as much beauty,
or is
it our perspective?
Grief Garden
I planted a grief garden this summer, a place to house
my grief; transforming it through the sensuous touch
of soil. I really do not know what I am doing when it
comes to gardening–there are maps and books for
both grieving and gardening, but I never seem to follow
any of them. My body tells me what to do. My hands reach
naturally into the moist soil as easily as they wipe
the moist tears from my face. I only have two small flower
beds in this garden. I have squeezed in as many flowers
as I could; all randomly next to each other. It gives
me pleasure to defy the organization of planting I observe
in the suburbs, begonia, geranium, begonia, geranium,
flowers in order, colours in order. Instead, I have gone
wild with lavender, chili peppers, bachelor buttons,
fireweed, basil, geraniums, Christmas rose, curry, zinnias,
sweet peas, roses, daisies, gladiolas, pansies, lambsweed,
and other varieties. Nothing could be so beautiful as
lavender and fireweed together. Red orange hanging out
with purple–I am fireweed all over. In grieving,
I come to terms with my own nature–fire of passion,
fire of heart. I also need the calm of lavender to soothe
me. Lavender enters my cells and sings a song of calm.
When I was growing up in New England, my mother would
spend hours in the garden. She brought colour to everything
she put her hands to, whether it was cooking or gardening.
I now understand how she lost herself in these worlds
of vegetables and fruits, flowers and soil. The fire
in her soul found tangible expression in the bounty of
colour in the natural world. She too had a fire of grief
and losses, from the remnants of the Armenian genocide
to her own loved ones dying.
I keep wanting to pass through my own grief in ordered
stages and be done with it. I have read that grieving
the stages of divorce is not that different than in grieving
a death. The “divorce experts” (how absurd)
say it is not something we do and be done with, it is
a constant process of divorcing. I ask, “Are we
ever really divorced, from anything we really love at
one time?” Even if it has changed, shifted, and
shaped into a new relationship, there is still a connection.
I marvel at the linearity of people speaking of stages
of grief, stages of divorce, and stages of life.. Wild
grief and wild gardens suit me better. I don't ever seem
to go through either of them in the predictable stages.
If I could tend the plants in the garden through certain
stages,it would finally be done with. But tending is
also determined by so many other factors: sun, rain,
wind, children, dogs, even. In my garden, because of
my three energetic boys, my plants also have to contend
with water guns. There is no way to make sure predictions
about either gardens or grief.
By the end of yesterday, I must have gone through
every imaginable stage of grief possible; from deep gut
wrenching anger, to the complete ecstatic joy of living
in my own power, and from deep sadness and loneliness,
to surrender. It is not uncommon for tears of joy and
tears
of sadness to flow in the same morning. All this keeps
happening in the midst of daily life: teaching, mothering,
dancing, grading, cooking, administering, and car pooling.
Last week I found an old picture of my mother, only
a few months before she died. It is now on the fridge
in the midst of all the kids’ lively drawings.
She is standing proudly before a vibrantly hued flower
arrangement, one she had designed. My father had died
only a few months before. She was living in the
deepest grief, yet she continued to form beauty. Perhaps
planting the garden for me is not so much a garden of
grief, as a garden of hope.
My tears could have watered the whole garden. Perhaps
the rain is God’s tears, the gardens are being
watered by tears, the passion of the Creator. We so often
think of tears as negative, even if we know better, even
if we know that tears clear out the toxins of our systems,
that they physically bring deep release. Holding back
tears can be devastating; locking stress, grief, and
pain which can eventually make us sick in our bodies.
My tears flow in bundles of petals. They overflow like
the petals from the wisteria near our house. My eyes
are so tired they need to go on a holiday.
Yet it is the tears which are the holy day. They honour
what is holy. They are part of my body wisdom. I know
my heart through my tears. I know what I love. We often
think tears are of the same variety, as if we only had
one kind of flower. But there are old tears, young tears,
frightening tears, relieving tears, joyous tears, angry
tears, and healing tears. I cried old tears yesterday,
but only after a day and a night of crying the tears
of my present grief. I touched a grief buried to such
fathoms it seemed ancient. There has been an ancient
grief with me for a long time. Fresh tears wrap themselves
over this old grief of losing my pristine self, of taking
on a face of shame, remorse, and guilt. Meeting this
at its root has given me deep compassion for myself.
I treasure the rain in British Columbia. Even though
I am weary of gray, I enjoy nature in the rain. The water
increases the pungent smells in the mossy forests and
wooded places around my house. The smells are overwhelming
and they have gotten in my blood as the ocean once did
in my childhood. I have never got the ocean out of my
blood. I need salt and water. Tears are made of both,
the very elements that sustain my soul I cannot live
without my tears. Nor can creation live without salt
and rain, waters and rivers, oceans and lakes. I have
oceans of tears within me, and oceans to come. I know
in my head these tears will pass, and there may be easier
days. Other sorrows will enter my life, and I will revisit
grief. Life is a continuous emptying and filling, planting
and weeding.I ask myself, when will I truly honour my
tears, love my tears into being, accept this salt water
running out of my flesh, letting it spill into the garden
of my life.
Daring
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I dance to let my body speak of life (we
turn)
|
| to dance |
Taking risks I find
freedom (we release) |
| to cooperate |
I dance to meet your
soul (we
roll) |
| with one's |
Complementing |
| own nature |
your motion (we respond) |
| |
|
| Limits and possibilities |
|
| say yes |
Discovering |
| to each other. |
the powers |
| |
of |
| Harmonizing the |
part- |
| chords |
ner- |
| of your life. |
ship (we run) |
| |
|
| Letting the |
embodied sense of community (we
return) |
| openings |
I dance my being |
| be opened |
here |
| closings |
|
| be closed. |
with you. |
 |
I
spiral into
your familiarity
s
t r e t c h into
this unknown place
of
bright emptiness. Leaving
scalded
territory to
a geography of joy
Wild
mind Mild
wind.
wild
mind
mild
wind….
wild
mind
mild
wind….
wild
mind
mild
wind….
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Quietly listening to the wind
a long awaited dance
is born
lighting
the fire passion
and vitality
the flame
within grows
bigger and bigger
till it enraptures me
and you.
East Wind Woman Comes Dancing
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Grief Medicine Wheel
In my garden I created
a Medicine Wheel this summer. I had been introduced
to the Red Road by Phil L'Hirondelle, Michaskosis of
the Cree Nation. When I feel discouraged or overwhelmed,
I go outside to the circle of rough-hewn stones. I
sit quietly in one of the four directions marked with
stones found on the Kitsilano beach and listen to the
teachings of the Elders. This is a place where people
have gathered throughout the ages to reflect upon their
lives. Each stone holds within its core the memories
and teachings that I need to know in that very moment.
When I am united with the teachings of the Medicine
Wheel, I feel different.
When I travel in that
sacred place within me where I hold dreams, hopes,
anguish, and tears. I balance between all things and
I embody the teachings of my elders. From the East comes the Wind and with it the memories of my ancestors
and their French culture. With the Eagle representing
the spirit of the East, I fly to mountains’ heights
listening to musical landscapes. A spacious melody
opens my heart and I swirl prayers of gratitude and
forgiveness. I am transported to where my sister Suzanne
lives. I have rediscovered friendship with her after
many moons of misunderstandings and separation.
Suzanne and I sit in
the East of the Medicine Wheel grieving again the loss
of our sister Louise who died by suicide a few years
ago. Suzanne’s willingness to endure my suffering
is instrumental in our coming together as sisters and
friends. I feel our souls closer than ever in this
shared emotional grief; our tears fall on the healing
stones. For a long time ,I had a deep concern about
the lack of kindness between us. Talking about incest
in the family and the factors underlying our sister’s
unhappiness and despair had brought our conversations
to an end. But this time, sitting with the teachings
of the Medicine Wheel, we both honour the suffering
necessary to discover our own souls. As we sit quietly
listening to the wind, tears come down on the Medicine
Wheel, down to Mother Earth and a loving wind blows
our sorrow away.
Sitting quietly in the South of
the Medicine Wheel, I listen to the wind blowing a memory from a few years
ago, a memory in need of healing. A beautiful Christmas celebration ended in
accusations and aggression toward me as I sought to express my subtle awareness
of an abusive moment between my brother and me. Is it a ghost from the early
childhood abuse? Is it a regression in need of healing? Is it masked grief?
I long for harmony and love between us and only anger and rage are expressed.
As I stand and reach up to understanding spirits, a flow of heat moves through
my veins and I stamp the ground faster, awakening demons and snakes. I stamp
and stamp again and again in a frenetic rhythm. Drums and voices join in a
dance of losses.
Jumping Mouse, who lives
in the South, sees all the details. She tells me to
be gentle with my words. Words can be cruel, vicious,
deceiving. I listen to the teachings of the South.
Jumping Mouse tells me of the Masculine energy in the
South. This Masculine energy –which spiritual
traditions throughout the ages have characterized as ‘The
Wind’–has invaded and dominated my femininity. The overtone and harshness about me has affected my
relationships with women, partners and sons. I became
as tough as my brothers and merciless to myself. My
critical inner voice is as nasty as could be. Sometimes
this voice comes out in rage and rebelliousness. I
wish I could tame this animus attacking my own womanly
feelings.
Thank you, spirit of
the South for showing me the way to kindness in moments
of separation. I grieve the loss of friendship and
love between my brother and myself. As I listen quietly
to words of compassion and wisdom from the South, my
brother is brought to me in a vision. He says he loves
me and wants peace between us. More than anything he
wants me to accept him the way he is with his imperfections
and flaws. Can I really do that? Am I capable of opening
my heart in this way? Jumping Mouse of the South reminds
me that we are not all big, strong, and identical in
our knowing the world, and that all perspectives are
important and necessary. Can I accept this knowledge
from Jumping Mouse? Sitting quietly in the South, I
open my heart to this truth.
In the West of the Medicine Wheel,
I let go of my past and in the darkness find a new self. Being in the darkness
means feeling deep sorrow and pain without understanding, means feeling lost,
not knowing if there is any light at the end of the tunnel. I have been hiding
with the bear of the West long enough. He taught me to wait for a new season,
in the time it will take for spring to come. “You cannot ask spring to
come sooner,” he says. “You only know that it will follow the cold
and dark season.” Bear teaches me to be patient and trust nature, to
allow grief to follow its own rhythm. In the dark, I learned to honour the
loss of love between my father and myself. The physical and sexual love I experienced
with him was not acceptable: it was not father-daughter appropriate love. It
took me years to be able to voice this family experience. Filled with shame
and fear, I escaped my relationships with men, in search of a safety that only
existed within myself. Sitting quietly in the West of the medicine Wheel, I
open myself to these teachings. Tears come down on my cheeks, on Mother Earth,
on the stones of the Medicine Wheel. Crawling out of the bear’s refuge,
I am ready to travel to the North.
In the North of the Medicine Wheel, I meet White Buffalo and learn
to trust my wisdom.
Cracking open
shells of insecurity
slowly
carefully pushing through invisible walls I
stand up again large
and proud.
How I longed for this moment.
In the Medicine Wheel I am reminded that I have always
been there! The four directions are inside of me all
the time in a swirling dance of growth.
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August
6th, 2001
I
received my spirit name given by Michaskosis
in a Naming
Ceremony
East
Wind Woman Comes Dancing.
This
name came to him while he was visiting friends
in La Belle province de Québec.
Upon returning
to Vancouver, he forgot all about it and it is
only when sitting quietly by the Pacific Ocean
that the wind shaped a cloud formed like a dancer
coming from the East and whispered the name. |
I
dance my new name with honour and respect
celebrating
the magic and surprises of life.
I dance passionately,
drumming with my feet strength,
power and truth.
I bring forth all that is within me
All that is afraid
of being destroyed
East Wind Women Comes Dancing
All that is afraid of being
blocked
I dance all that is within me to come forth.
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About the Authors
Monique Giard is a performance
feminist artist and counsellor in healing abuse.
She is currently
investigating
the role of performance, testimonies, and media
in healing First Nations historical abuse. This
study
also examines childhood abuse and aggression as
risk factors for suicidal acts. Monique is concerned
with
the suicide rate of First Nations’ youth
which is five to six times higher than the general
Canadian
population. The Baxter & Alma Ricard Foundation
supports her community-based research of youth
suicide prevention. Monique is a doctoral candidate
at the
Center for the Study of Curriculum and Instruction,
University of British Columbia, Canada.
Email: educational.insights@ubc.ca
Celeste N. Snowber is a dancer, educator, and writer
who is an Assistant Professor in the Faculty of
Education at Simon Fraser University in Burnaby,
British Columbia, Canada. She works in the area
of dance education, arts-based educational research
and teacher education. She has authored several
books including, Embodied Prayer and In the womb
of God and has published numerous articles and
poetry. Celeste performs her work through dance
and is presently finishing a manuscript, which
explores the
natural landscape as a metaphor for spiritual formation.
She lives with her three lively boys, aged 11, 11,
and 15.
Email: celeste@sfu.ca
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