 |
|
 |
 |
| Penberg, D.
(June 2002). Acts of Conscience and Acts of Care: Rejecting
Normalcy in a Time of Terror. Educational Insights, 7(1).
[Available: http://ccfi.educ.ubc.ca/publication/insights/v07n01/contextualexplorations/penberg/] |
 |
|
 |
| |
| |
Acts of Conscience
and Acts of Care:
Rejecting Normalcy in a Time of Terror David
Penberg
Bank Street College of Education, New York |
 |
| Artist's
Statement |
 |
| September 13, 2001
I saw Picasso's Guernica
last week in Madrid. Now I feel like I am eerily living it.
The surreal became the real. Life irrevocably changed. Tonight
there is an opiated calm. Smoke furnaces as far as the eye
can see down Fifth Avenue. The sky above Manhattan soft blue
as bomber pilots missile through the clouds, stealthgrey and
supersonic. I feel the need to chronicle this to keep perspective.
My fear is not so much about what has happened, but the uncertainty
of what will.
* |
| |
| |
| |
| There is a closing line
in an essay written by Italo Calvino which reads "the film
we thought we were merely watching is the story of our lives."
September 11th was not another Hollywood blockbuster, but the
narrative that defines the disfigurement of our collective lives
and the subsequent rage and grief that swells within. We see
it on television and witness it on the subways. The theatre
of war has returned and with it the trembling of a global paranoia.
It's packaged in language like "America under attack,"
"America fights back," and "United we stand."
It feels like we have descended into the dark times again with
our flags pinned to our lapels and our minds full of sound bytes.
And I wonder about the future of our world. How do we as educators
provoke our students to learn in a world we and they know is
neither secure, equitable nor fair? * |
 |
| September 14, 2001
A flag at half-mast drapes the
water tower in the housing project that sits across from my
window on the Upper West Side of Manhattan. Rain that feels
not of cleansing or relief but more of grief falls since the
early morning. I went to sleep despondent and woke up the
same way. I know why. I can't ignore or lessen these feelings.
As an educator I have always believed in the transformative
role of teaching, of creating hope in myself and nourishing
it in those with whom I work. I am trying with all of my strength
to hold onto and replenish that this morning. The sounds of
the subway have returned. They mesh with the ever-present
sound of sirens and emergency vehicles. It is a constant state
of vigilance and emergency. The backlash of hatred is already
visible. The votaries of retribution can be heard everywhere.
Civilization as we once knew it? So much of life was absent
of civility anyway.
*
I write this as an educator, a parent
and a citizen. To whom this may concern is self-evident: each
of us. The days of darkness require presence: acts of conscience
and acts of care. The historian Hannah Arendt describes this
responsibility as becoming "lights in dark times,"
educators and artists practicing a social vigilance and wide
awakeness that times of upheaval demand. As authentic persons
living in the world, Maxine Greene reminds us that to live
ethically, we need to always be asking "why." This
is the place where learning and moral reasoning begin. This
is the time for asking why. The dark days require rejecting
intolerance outright and unequivocally, with reason and critical
intelligence. |
 |
| September 17, 2001
Sitting here in the office. Staying
clear headed through this by staying in touch with what I
feel. Want to make all the love I can before the first anthrax
attack. Want to hug my daughter when I see her today like
it's the first time after a long absence. Want to call my
parents, Aunt Milly and Uncle George, Uncle Frank and Aunt
Paula and tell them how much I love them. Want to take out
my Brecht to see if he can offer some insight on terror. There
is no getting used to the boom of fighter planes or the sirens
in the Orwellian air. I am mourning for the others and looking
over my shoulder for when the retaliation starts and patriotism
has its way. I don't want history to march on anyone anymore.
There might not be an anymore.
*
Life in the post September 11th world
has become a New York Post headline full of the sensational
and the extreme. The world as we knew it is an open wound
pussing with intolerance and warmongering, infecting our capacity
to think critically. There is no returning to business as
usual because there is nothing usual or ordinary about terrorism.
I want to be one of those lights in dark times, one of Herb
Kohl's hope mongers. I want to feed young people's social
imaginations, stretch their historical understanding so they
can name the kind of world they want to inhabit. I want to
believe now more than ever in "the islands of decency"
Myles Horton described 30 years ago. I want to provide the
conditions and the climate where the young can learn to deal
with complex problems and work collectively to solve them.
I want to believe that as lights in dark times the work of
education is redemptive, a discipline of hope, and that crisis
is a way to break the somnolence of habit.
* |
 |
| September 18, 2001
Now that we have been robbed of
the secure, the most ordinary is charged with reverence: the
sight of the ocean and how it cooled our feet and smelled
full of briny perfumes. What matters starts to appear everywhere:
the bridge, your love, that old man cooing the Latino baby
on the crowded bus. Looking at the George Washington Bridge
last Sunday afternoon, as I have for much of my life, made
me feel a sense of assuredness and solidity. And the sky of
clouds that you said were so soft and gentle, soothing and
appropriate for these days of mourning. Terror steals the
familiar and pulls the rug out from under the very idea of
safe. Life makes us reimagine every matter worth remembering.
*
The mayor and the President tell us
that we need to "get back to business," "get
on a plane, eat in a restaurant, go to Disney World."
With a desperate and transparent sense of calm we are urged
to "return to normalcy." It all feels like a commercial.
There is a moral flippancy here difficult to accept. It makes
me suspect, like when I see a restaurant without customers
and a manager standing at the door soliciting patrons to enter.
As an educator, I don't want to get back to "normalcy"
because it never worked. Or if it worked, it has been for
the administrators and politicians, testing companies and
textbook concerns. But not for those whom it mattered most.
Not for kids, teachers, nor parents. All of us caught swimming
upstream in a system whose currents are always full of bureaucratic
undertow and toxic language like: student performance, classroom
management, pull-out, attention deficit order, limited English
proficient, learning disabled
.
Why the haste to return to a system
made rigid by mandated curriculum and punitive evaluation?
A system that isolates adults and children from the boundlessness
of experience and interactions with each other? Why the "normalcy"
that empties the spontaneous, imaginative life of inquiry
from living in classrooms? Why rush back into that? A "normalcy"
that measures and controls at the expense of human connection
and social interaction. That is not the normal we should aspire
to. It's the "abnormal" that habit and convention
have convinced us is the only one worth believing. Before
returning to "normalcy," let's pool our inventiveness
and imaginations to consider what the normal should look like:
the normalcy that we want.
* |
| |
| |
 |
| October 8, 2001
All law enforcement officials on
high alert. National Guard at the train stations and entrances
to tunnels and bridges. Need to show identification to go
below 14th Street. The President goes on television with a
blue suit, white shirt and red tie to announce the commencement
of the bombing of Afghanistan. Kites whimsically floating
in the background of the White House lawn. In New York, the
flags have replaced the memorial candles. Everywhere like
the Fourth of July. Only this time not calling for fireworks
but cruise missiles. This is the language of the day: Tomahawk
missiles, stealth bombers, guided bomb units, land based bombers
submarines, Delta Force, and "Neutralizing the terrorists"
according to the Pentagon. The air is acrid and bitter as
we walk down Hudson Street. The reminder that the souls of
more than 3000 people have not gone away. Nor will they ever.
I swear I see the imprints of those towers in the sky where
they once were, like ghosts, like a message coded into the
clouds hanging over Manhattan.
*
There is no guide for how to address
in our schools the events of September 11th. We are confronted
with educational contexts that compel us to come to terms
with the responsibilities for teaching and enabling children
to learn in dark, unsettling times. Wide awakeness has to
grow in a place with others actively and reflectively. To
become citizens disposed to living in a global and interconnected
world, young people need the time to reflect on and the tools
to record what is valuable, beautiful and worthy of caring
about in their lives. Let this be the normalcy we move towards:
building on understanding by connecting the young with the
world and not isolating them.
If education, as James Agee said,
"is the one weapon against the world's bombardment, the
one medicine
which liberty, health, and joy may be shaped
."
then let's provide children with opportunities that draw on
the experience of becoming adults by carrying projects out
and into the world: building gardens, playgrounds, web sites,
and public art works; constructing oral histories, neighborhood
studies, telecollaborative projects; conducting air, water
and soil studies. Let's pursue a kind of normalcy that seeds
hope and grows fifty-dimensional citizens. Through acts of
conscience and acts of care, let us define a normalcy that
understands that there is no right education - as Paul Goodman
told us half a century ago - except growing up into a worthwhile
world.
* |
 |
| October 9, 2001
Fourteenth Street on a Monday morning,
bomb squads, Police cars and fire engines. The sirens are
silent. It feels like a rape of all that is secure, all that
was once taken for granted. People congregate on the street
with the eyes of frightened deer during hunting season. It
feels like we are under the scope of a high powered rifle.
It's the first cool day of the fall, the old business of war
has come out again.
*
To rush headlong back to "normalcy"
in our schools without thinking deeply about the future of
our children does no honor to the victims nor ourselves. We
need to consider the widest range of possibilities in how
we educate our children, not the narrowest. Reflecting on
the future of education in New York in this irrevocably changed
world, it is critical to remember that business as usual cannot
be the compulsion to retreat to habits of the past. Our greatest
gift is imagining the new. As lights in these dark times,
the most humane reply to terror is rising out of its grasp
and showing that evil acts can have unintended positive consequences.
* |
 |
| October 17, 2001
Wednesday morning. The air crisp.
We live in a time warp. I know what it says on the calendar.
It doesn't mean a thing. These days I often prefer no music,
just silence, or better, city sounds. A strange reassurance
that life retains some semblance of the familiar in the din
of buses, sirens, drills, and hip hop booming from a car at
a traffic light. Like a well kept secret we know it's not
so. Now I tune into CNN for the latest update from the Pentagon
on the airstrikes in Afghanistan. I remember as a boy watching
on TV the casualty lists from Vietnam. All that has changed
is that I am no longer that boy and this is Kabul not Saigon.
In New York, we have gone as if by the switch of a light from
the brazenness of prosperity to the doldrums of recession.
And I dreamt I witnessed the Empire State building go up in
flames.
*
Why not a normalcy that honors the
imagination of children, that nurtures their ability to imagine
ways in which the world might be different? Why not a normalcy
of teaching well and with love that encourages the widest
depth of learning possible? Instead of reinforcing failure,
why not take teaching and learning seriously by insinuating
complexity in children's lives, exposing them to the multitude
of human creations that makes life rich and continuously challenging?
Why not a pedagogy based on providing students with opportunities
to have encounters with learning that might change their lives?
Why not a normalcy that insists on acts conscience and acts
of care, to elevate our lives out of terror into a world of
shared meaning?
* |
| |
| |
 |
| October 19, 2001
The Board of Education has decided
to require all teachers to lead students in the Pledge of
Allegiance. Arts and all after school funding to be drastically
cut. We have entered Draconian times again. What is systemic
is how we deprive children of experience and plunder their
imaginative and cultural lives. Ground forces are reputed
to be in Afghanistan this morning. Meanwhile the anthrax count
has become a kind of claustrophobic national preoccupation
like the body counts from the Vietnam era. I am afraid. There,
it is said. What do you do with fear in a time of terror?
How to find rebalance in this unfamiliar world?
Brecht said "because of the
increasing disorder in our cities" artists should not
invoke nor speak about beauty "but only the disorder
.The
contradictions of so bloodstained a life
." But
I don't agree, and pledge my allegiance to all that makes
a person round and human.
*
This is the only normalcy we need
to return to: prioritizing our education and our responsibilities
to the health and happiness of children, helping them find
their own ways of being children and of existing in the world.
To teach to the diversity of interests and strengths of each
individual child.
We cannot predict the world that is
in the making. We can only make what the educator Lillian
Weber called "the irrational commitment," to human
care and human compassion. All we can do is enable them to
make sense of their lived lives, to make connections, and
to disclose alternative ways of being in and thinking about
the world. Weber reminds us: "In spite of being surrounded
by threats, [that] we still have children
[and] an intergenerational
responsibility [to] exist and contribute."
* |
 |
| October 26, 2001
The subway cars are congested again
with commuters who obstruct entry and exit. Bomb scares on
Monday morning. One hundred and second street to 96th and
Broadway closed. It is the season of the sociopath. Returned
to Canairse, Brooklyn, today to visit the Meyer Levin School.
Found the faculty bathroom to have peeling walls of lime green
paint and a toilet that does not flush. Kids in their new
blue and white uniforms. At lunch when they go to the schoolyard
to play basketball and double dutch, you see the boundless
energy and imagination that gets restrained and most times
squandered. While over the loudspeaker sounding strained and
underwater like the ones in the subway, the new principal
enjoins her students "to work hard, listen to your teachers
and get those math scores up."
* |
 |
| October 31, 2001
Walt Whitman, Jose Marti, Comenicus,
Socrates, Rousseau, A.J. Makarenko, Tolstoy, Paolo Freire,
John Dewey, Lucy Sprague Mitchell, Maxine Greene, Myles Horton,
James Herndon, Lilian Weber, George Dennison, Paul Goodman,
Herb Kohl, Sylvia Ashton Warner... I invoke you each at this
hour of urgency as a counterpoint and a canon for inspiring
children with conscience and caring. The times demand it.
*
There is nothing normal about growing
up in a nation at war. But we have tens of thousands of children
across this country experiencing this. To undo the horrors
of an unkind and mad world, the only normalcy worth sustaining
is the terrific responsibility towards human life and that,
Hannah Arendt says, is the definition of education: "deciding
that we love the world enough to assume responsibility for
it, and...loving our children enough to engage them in the
world's renewal."
* |
 |
| November 23, 2001
On the subway not the vintage stony
piercing stares of New Yorkers but the silent, existential
glare of fear, of not knowing, of heading someplace without
an address or telephone number. Commercial airliners have
returned. Subways rattle once again. The sounds of the jet
bombers have alchemized into just another air borne noise.
By the river today the coast guard prevented all boat traffic
from going below 79th street on the Hudson. Car alarms again.
The flow of traffic and trucks. A sky anesthetized in smoky
bluegrey starts to polish the afternoon into night. Kids'
voices rising above Broadway, mingling with the pigeons.
What is returning, amidst the vigilance
for terror is the reverence for life. The thrown of the ordinary:
fried eggs and coffee. Gruff bus drivers and subway workers.
The Mets and Yankee games. Cafes and restaurants brimming
with people. Parks, riverfronts thronging with families and
people in various states of repose and play. You want to walk
the streets of upper Manhattan anointing the bodegas, fruit
stands, coffee shops, pizzerias, and newspaper stands with
the holy water of very precious things.
* |
 |
| References
Calvino,
I. (1993). The Road to San Giovanni. New York, NY:
Pantheon.
Arendt,
H. (1959). The Human Condition. Garden City and New
York: Doubleday Anchor Books.
Greene,
M. (1995). Releasing the Imagination: Essays on Education,
the Arts and Social Change. San Francisco, CA: Jossey-Bass.
Horton,
M. (1990). The Long Haul. New York, NY: Doubleday.
Agee,
J. (1939). Let Us Now Praise Famous Men. Boston, MA:
Houghton Mifflin.
Brecht,
B. (1976). Poems: 1913-1956. New York and Toronto:
Methuen.
Weber,
L. (1997). Looking Back and Looking Forward. New York
and London: Teachers College Press.
|
 |
| About the Author |
| |
David Penberg
is a staff and curriculum developer with a Carnegie based
school reform project called the Middle School Initiative,
which collaborates with 12 New York City public middle schools
to redesign the ways they work with students. He is also involved
with a large scale pre-service initiative done in conjunction
with 3 community colleges and the Stevens Institute of Technology
to encourage teachers to integrate the internet into their
teaching repertoire. He is currently completing a multimedia
worked entitled The Rebeka/Zora Chronicles 1980-1990: A
Father's Diary. |
| |
Correspondence:
David Penberg, Bank Street College of Education, New York
City, NY, USA. E-mail: dpenberg@bnkst.edu |
| |
 |
| About the Artist |
| |
David Darts
is an artist and graduate student at the Centre for the Study
of Curriculum and Instruction at UBC. He is interested in
issues around social response-ability and the trans(form)ative
qualities of creativity and is currently developing the concept
of Creative Resistance. |
| |
Correspondence:
David Darts, Centre for the Study of Curriculum and Instruction,
Faculty of Education, University of British Columbia, Vancouver,
B.C., Canada V6T1Z4. E-mail: educational.insights@ubc.ca |
| |
 |
|
| |
|
|
|
 |