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ON-LINE
ISSUES
V.5
N.1, August 1999
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The
da Vinci Program: A narrative study of an alternative learning approach
for life
by
Blane
R. Després
bdespres@interchange.ubc.ca
Centre
for the Study of Curriculum & Instruction
University
of British Columbia
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Abstract
The
da Vinci Program is about an alternative learning practice attempted
in the public school system. I contend that schooling is not complete
but tends to neglect the learner as an experiential and interactive
being in the realm of daily existence (see Gibbons, 1990; Goodson,
1992; Levin, 1991). This paper examines some of the issues related
to the implementation of the program in one public school setting,
such as the nature of schooling and implementation problems.
Ideally in the da Vinci Program each student
undertakes six passages over the course of the final three years of
secondary school in conjunction with course work. The six passage
categories of the Program are philosophical inquiry, physical challenge,
practical skill, creative endeavour, career exploration, and community/global
awareness. For each passage, students present a written proposal to,
and negotiate it with, an advisor (a teacher). Each student must maintain
a journal to document the experiences during the passage process from
which they will conclude the experience in a “wrap-up,” or summary
and conclusion. The culmination of the event is a public celebration
after completion of the passage during which time the learning experience
is shared with an audience.
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The
da Vinci Program: A narrative study of an alternative learning approach
for life
Education
designed, as a continuous lifelong process requires an approach
to teaching and learning suitable for such a long-range perspective.
If we acknowledge education as designing resources for development-a
strategic array of experiences, activities, relationships, and training
to supplement normally available resources for growth-then we must view
learning as the desire and ability to use those resources (Gibbons,
1990, p. 29; emphasis added).
This
narrative study of the da Vinci Program attempts to bring to light some
of the key issues and experiences that arose during its implementation.
Touted as an alternative learning approach, or paradigm, the da Vinci
experience attempts to incorporate experiential learning in the culture
of education. Where alternatives are implemented or attempted in education,
the resistance can be overwhelming (Cuban, 1984; Elmore, 1996). The
story of the da Vinci program is about such an implementation attempt.
This paper, then, serves as a kind of preparatory work for further investigation
into the culture of education, which includes the practice of teaching,
the roles of teachers, and the nature of schooling. Although I do not
engage in an in-depth analysis of the issues, I present them to intensify
awareness about them to stimulate dialogue. Perhaps with more dialogue
and questions, a clearer direction might appear that could act as an
incentive to consider alternatives.
That
education is still a distance away from the goal of lifelong learning
ability instilled in its students appears to be an accurate description.
Gibbons’ quote above delivers a still relevant challenging series of
questions about education and how it might change. Cuban quotes one
teacher who declared, “traditional teaching approaches drive students
into boredom. If we were ever to teach sex the way we teach other things…it
would go out of style” (p. 176). Likewise Marshall and Tucker (1992)
note that, “most analysts now agree that the changing workplace demands
not simply higher levels of mastery of the core subjects, but a different
kind of education.…Our curriculum reflects the needs of the economy
of fifty years ago as does the performance of the average student”
(p. 80; emphasis added). Price (1992) also indicts the education system,
stating that, “the gap that exists between the education system and
the world of work needs to be bridged for the sake of both the youngsters
and prospective employers” (p. 30).
Despite
the calls to reform and the findings in the literature, education is
slow to change (Cuban, 1984). Cuban notes that one explanation for teaching
practice as it is/has been is the “occupational ethos of teaching that
breeds conservatism and resistance to change in institutional practice.
This conservatism (i.e., preference for stability and caution toward
change) is rooted in the people recruited into the profession, how they
are informally socialized, and the school culture of which teaching
itself is a primary ingredient” (p. 243). Gibbons (1990) states:
>Criticisms,
contradictory evidence, and suggested alternatives arise, but they
are easily deflected by the authority of established belief and the
sheer immovable weight of what is…With conditions the way they are
in education, it seems that we are in just that position ourselves:
so deeply steeped in traditional schooling that we seem unable to
respond to the tide of effects pressing us toward a new paradigm of
teaching and learning. (p. 144; italics in original)
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| Background
Such
curriculum activities and additions as advising, outdoor education,
gifted programs, global awareness projects, and government meta-curriculum
directives have been attempted in schools over the years. These have
met with varying degrees of success or failure depending on the tenacity
and energy of the implementers, budgets, politics, and long-term vision
(Cuban, 1984). While educators have claimed for decades that schooling
is for the whole child, much evidence, in fact, suggests that the opposite
is true in practice (Becher, 1992; Chamberlain & Chamberlain, 1993;
Contenta, 1993; Cuban, 1984; Gibbons, 1976, 1990; Illich, 1973; Lister,
1973).
In
my own experience, at the time of the presentation of the da Vinci Program
idea to my teaching colleagues, I had eleven years of teaching experience:
seven on the east coast of Canada in French as a Second Language (FSL)
at the junior and secondary school level, and four years on the west
coast of Canada in FSL and Gifted at the junior-secondary level. I was
involved in various student clubs and coaching responsibilities, staff
organizations, was the staff professional development chairperson, and
had organized and led student trips to Europe. During those years of
teaching, however, I was continually struck by something missing in
schooling. I tried variations in evaluation, methodology and delivery,
but always felt that there was just something not quite right about
the over all system of education. I saw myself struggling against the
traditional structure of schooling, trying to ensure a learning experience
that went beyond books and tests divorced from real life. Out of this
developed the da Vinci Program.
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| The
da Vinci Program
As
I was dangling beneath my parachute near Abbotsford, BC, looking up
at the small plane that had carried us to 2900 feet, I was anxious.
I was waiting for Cindy to follow. Cindy was a grade ten student and
following through on her da Vinci project: to parachute despite a dramatic
fear of heights. Cindy was even afraid of going out on her deck at home.
This was her way of challenging her fear. When I saw her chute open,
I was elated and shouted, more excited for her accomplishment than my
own exhilaration. Once on the ground, she was thrilled and wanted to
go again.
That
was May, 1992. In September, 1991, I had presented an alternative lifelong
learning approach to the staff of Chattanooga Secondary School (a pseudonym).
By alternative I mean different from the traditional structure of schooling.
The school was comprised of, at the time, about 400 students in grades
8 to 12 from predominantly Caucasian, middle-class families and a minority
native settlement. The community is a rural setting near Vancouver and
has a population of approximately 3,000 people.
At
that time, I read Maurice Gibbons’ (1990) The Walkabout Papers.
Gibbons had attempted an experiential learning project in the high school
in the early 70’s. He laid the ground work for a lifelong learning approach
after questioning the effectiveness of the traditional North American
education system in preparing the adolescent for adulthood. He was struck,
for example, by the “stark contrast between the [Australian] aborigine’s
walkabout experience and the test of an adolescent’s readiness for adulthood
in our own society” (p. 2). His “Walkabout concept” evolved as a practical
response to the lack of a similar “rite of passage” in North America.
Gibbons argued for the importance of learning processes that “could
be used for a lifetime; responsibility, challenge and real-world projects
not only [would lead] to the desired learning in compelling ways, but
[also] to personal growth and the development of character” (p. iv).
These processes include “goal-setting and planning, designing one’s
own learning project, communicating, problem-solving, leading and participating
in groups, reflecting in solitude, securing and organizing resources,
and evaluating one’s progress” (p. xiv).
The
name da Vinci was a personal favorite because of what that historical
genius connoted: lifelong learning; passion about learning; continuous
learning. The Program emphasizes self-directed learning through guided
instruction, advising, and practical experience as the students work
through their passage. When asked why he was there from the beginning-one
of the original five members, Daryl replied:
I
was looking for something that used the knowledge and skills that
kids already had, not just try to cram more stuff inside them. But
to say to them, come on, you’ve got so much neat stuff and cool things
inside you right now, I’ll help you find out about them. And start
inspiring them. I guess it’s the whole thing about teaching about
learning, too-that’s such a glaring omission in the whole thing. It’s
a whole life philosophy. You don’t teach about learning and the nature
of learning and how cool that is in the traditional place. Looking
back I think that was one of the things that inspired me to come along.
(Després, 1996)
The
following description of the da Vinci Program is a composite of Gibbons’
material and influences of the Walkabout program at a public, alternative
school near Denver, Colorado. The da Vinci Program is comprised of six
passage categories. A passage is a passing, or transition, from one
stage to another. Recall the aboriginal custom where the adolescent
would be expected to embark on a solo journey lasting an extended period
of time in the wilds of the Australian outback. His return indicated
a successful venture and marked a vitally important element of human
growth: that transition from adolescence to adulthood (see also Pallas,
1993). This rite of passage would challenge the youth in all facets
of his being: spiritual, personal/emotional and intellectual. Practical
skills were learned for survival and for amusement. Philosophical inquiry,
or questions of why, who, what, how would likely arise. The physical
challenge of survival, the venture itself, and the developing awareness
of his interaction with nature, with others, and with the world would
be a part of the rite of passage.
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| da
Vinci Passages
Capitalizing
on personal interests, the student of the da Vinci Program embarks on
the following passages, one or at most two at a time. These experiential
ventures pit the student against self in the developing process for
lifelong learning:
-
Philosophical Inquiry-dealing with deeper issues that demand logical
reasoning and reflection (e.g., personal loss, life after death, beliefs).
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Physical Challenge-performing an activity that requires physical endurance
and stamina (e.g., a bike trip for a weekend or a week, rock climbing).
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Practical Skill-acquiring a skill to accomplish something that previously
required someone else’s help to complete (e.g., repairing small appliances,
minor mechanics, gardening, cooking).
-
Career Exploration-in-depth look at an occupation of interest (e.g.,
shadowing a professional for a period of time).
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Community/Global Awareness-researching and responding to an environmental
issue (e.g., logging practices, waste management, hunger programs).
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Creative Endeavor-demonstration of a project in the visual or performing
arts (e.g., a photography exhibit, a dance production).
In
view of the passage categories above, Cindy’s parachuting passage was
negotiated as a Physical Challenge because of the obvious physical demand
of parachuting and dealing with the fear of heights. In another instance,
George, a grade eleven student, developed and produced an 8mm movie
based on claymations (clay figures “shot” in sequential stages of “movement”)
under the Creative Endeavor passage category. His project went on to
win a national competition dealing with drinking and driving counterattack.
Other projects ranged from biking/camping tours (Physical Challenge
passage), to conceptual pieces centered around psychology (Philosophical
Inquiry passage), to the trials and tribulations of making contacts
in the community (Career Exploration passage).
Each
student in the Program negotiates an individualized action plan (initially,
a proposal), or learning contract with an advisor. This document is
designed to be an instrument for self-directed learning, and also a
guide to maximizing the student’s learning throughout the passage process.
In meeting the demands of each of the six passages of the Program, the
parts of the contract should anticipate difficulties and challenges
that the student will face and indicate solutions to explore. The contract
identifies the vision or goals of the student, the learning strategies
to be used, acceptable demonstrations of achievement, and the roles
of participants where applicable. The teacher/advisor needs to understand
the nature of the project being undertaken, the anticipated learning
outcomes, and agree upon the standards that will be used to evaluate
the outcomes. As part of the proposal, the student negotiates an evaluation
technique that includes a minimum, an excellent, and a superior level
of achievement (Gibbons, 1991), thereby incorporating evaluation in
the learning process. As part of the passage process, students are required
(and learn) to keep a working journal as they progress. The journal
is a sketchbook or record of thinking, learning, planning, action and
reflection, becoming a resource of ideas and reflections, much like
the notebooks of Leonardo da Vinci.
The
learner is encouraged not only to synthesize the learning experiences,
but also to become conscious of developing skills, applying processes,
pursuing goals, and participating in a variety of experiences. Evaluation
is both formal and informal, and includes self-assessment as much as
assessment by those supporting the student (such as a group of advisors
and peer support group). While the demonstration of outcomes is an important
aspect of evaluation in general, much of the evaluation/assessment in
the Program will be through journal entries during the passage process
and the wrap-up, advisor reports, and creative work, all of which will
be synthesized and documented in a formal portfolio. Students are responsible
for formative self-assessments to monitor their ongoing progress and
summative self-evaluations that involve careful self-reflection and
analysis of their learning experiences. Peer assessment takes the form
of support groups known as triads or quads. In these small groups, peers
informally discuss and assess each other’s passages providing ongoing
support, suggestions and feedback. Parents play a key role in assessment
by receiving and providing feedback at meetings and in their involvement
in their children’s passage.
Advisors
are responsible for monitoring the student’s self-assessment process
through interviews, anecdotal records, proposal editing, and progress
charts. From such interactions advisors also provide external, objective
feedback to students. Feedback is ongoing and ranges from informal interactions
to formal structured assessments. Advising could also be a function
of a mentoring team comprised of teachers, parents, and other supporters.
Ideally this team works with the student to foster an environment that
is caring, safe and effective for learning. Mentoring differs from advising
in that an individual (or possibly a small group of people) serve as
a personal resource person whose expertise is directly related to the
Passage topic chosen by the student. Ideally, a network of individuals
from the community would be available from which to draw. Together,
or by taking on specific roles, members of the mentoring team teach
and guide the student in learning how to learn and how to achieve goals.
The mentor team becomes involved in assisting with assessment and evaluation,
and in celebrating achievements with the student. The team is assembled
based on the needs of the student and the characteristics of their goals.
Advising for each of the team members included suggestions in time management,
scheduling, writing properly, encouraging, and directing to individuals
in the community who could work with the person as a mentor.
Our
roles as teacher/advisor involved facilitating and advising using diverse
strategies to assist students in developing the attitudes, personality
characteristics, and skills needed to pursue and achieve their negotiated
goals. Daryl best expressed the dilemma of how to deal with the new
role change in those early stages:
Well,
first, letting go of the control…learning how to entrust people with
control. Then, I think, not getting too freaked out about evaluation.
Every moment does not have to be evaluated, have to be an evaluative
event. And in terms of conflict, dealing with other people’s perceptions.
Once you let go of what other people are going to think, then a lot
starts to happen. Now it’s taken a few years to get over that. I just
stay down here [in the classroom] and work with the kids, now. I don’t
bother trying to convince others anymore. It’s just not worth the
headaches. (Després, 1996)
There
was a struggle not only with our own personal teaching “shift,” but,
as Daryl intimated, also with the perceptions of other staff members
and even colleagues in the District, and those of the students and parents
themselves. Having begun in 1991 with a number of staff presentations
and community presentations with urgings to participate, at the time
of this writing, Daryl still has only one ally (an original team member
at the time of this writing) who “helps out.” The initial idea of the
school becoming the district “da Vinci” center where the program would
be a part of every student’s learning experience gave way to a single
elective course that, despite the Program’s contrary nature and our
contempt, was forced to fit the time table. Once, as Gibbons and I discussed,
I found that he had experienced similar staff reticence and systemic
suspicion (see also Elmore, 1996; Migyanko, 1992) no less than twenty
years ago when he had attempted to implement Walkabout in his own school.
Cuban
(1984) established the track record of education, clearly demonstrating
the tenacious hold of its traditional paradigm despite the call by some
to more humane and relevant learning in schools (Gibbons, 1976, 1990;
Illich, 1973; Lister, 1973), the positive findings regarding alternative
approaches to learning (e.g., Cuban, 1984; Elmore, 1996; Gibbons, 1990;
Gray & Chanoff, 1986; Horwood, 1987; Ozar, 1993), and the demands of
society for reform (Bacharach, 1988; Bacharach & Shedd, 1989). Despite
added curricular components that attempt to help the student deal with
other than academic issues, the lack of experiential processes for students
more specifically suited for life issues and grounded in research findings
is real (see Bibby, 1990; Cuban, 1984; Darling-Hammond, 1993; Després,
1994; Gibbons, 1976, 1990; Illich, 1973; Lister, 1973).
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| Implementation
Since
teachers are preoccupied with diverse social and professional functions
during the course of the day, little time is afforded the implementation
of a program, particularly if that program challenges the beliefs and/or
practices of the teacher. Miller and Seller (1990) declare that, “There
must be a recognized need for change. If teachers do not recognize this
need, the intended change will be a non-event” (p.233).
The
da Vinci Program offers a challenge not only to the traditional approach
of education, but it causes one to rethink the various roles: student
becomes pro-active learner preparing for a lifelong adventure rather
than passive recipient of disembodied information; teachers become facilitators
and models rather than “bankers” that deposit information (Freire, 1974);
administrators become, in a more transformational sense, coordinators
of “the activities of members of the organization to accomplish the
objectives more effectively” (Sergiovanni, 1987, p. 183); parents and
community members become participant mentors and, likewise, models;
institutions become learning and resource facilities; the school becomes
a learning and resource center. Such notions tend to be out of keeping
with the traditional paradigm of schooling with its hierarchical superstructure
and fragile substructure. According to Hargreaves (1993), teachers work
in virtual isolation from other adults, maintain abstract standards
and curriculum impositions in the context of personal needs and ideology.
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| Implications
If
one understands the da Vinci Program not only as an alternative approach
to learning but also as a viable challenge in education, the beginnings
of a new social and educational awareness become possible. Treating
students as individuals with real needs demands a conceptual shift in
the current educational system. By this I mean those who control the
educational system-teachers, administrators, policy makers, and even
parents-must examine their thinking in the light of collective schooling
experiences and collective research. The da Vinci Program affords a
means of change for all concerned. More importantly, perhaps, it also
affords positive learning experiences for the student as a developing
adult; learning experiences that will become stepping stones for a lifelong
process and significant events in their lives. We need to continue the
dialogue and we need willing participants (Candy & Crebert, 1991). Marshall
and Tucker (1992) challenge: “The future now belongs to societies that
organize themselves for learning. What we know and can do holds the
key to economic progress, just as command of natural resources once
did…The prize will go to those countries that are organized as national
learning systems, and where all institutions are organized to learn
and act on what they learn” (p. xiii, emphasis added). The aim of
the da Vinci Program is to help the student develop fully in preparation
for adulthood. It still remains the task and responsibility of a society
to ensure the success of such an aim. This is the challenge before us
as educators.
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References
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About
the Author
Blane
R. Després is a Ph.D. candidate in the Centre for the Study
of Curriculum and Instruction at the University of British Columbia.
His research interests include business-education partnerships, philosophy,
values, spirituality and educational theory. He has taught in the
public school since 1980 and has been designing and building homes
since 1982.
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Copyright
rests with the author.
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